ZEN Bitchin'

Dispatches from a foreign country

What your soul sings

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Like most things in my life, my coming out to my parents about 13 years ago did not happen in one spectacular event that shook the world. Being an only child, friends expected only the highest of dramas. However, there was no heart-rending drama: no tears, hysterics, or some other violent reaction to my disclosure. Life went on in its usual pace in my little family. The dramatic moments happened later but they would pale when compared to the dramas that have been chronicled in literature and films, even in the lives of some of my friends. If you ask my mother, she would say that my coming out happened the way things in life happen: it just happened. However, on my side, it took months of planning, preparation, and execution.

As I said, my coming out was not one big event. It happened gradually. Since I didn’t have the gumption to come up to either of my parents to boldly declare that I am homosexual, my plan was to leave them little clues here and there until it got to the point where they would have no choice but to ask me outright. Unlike me, my mother has lots of gumption. Things also sort of fell into place a year before it happened, which further facilitated the process.

I have known that I’m not like other boys since I was 7 years old. In the year of my first communion, I would spend most of the recess looking at older boys as they played basketball. I was particularly attracted to the sight of calves, where the sock ended, dimpling the flesh. Of course I had no way of explaining my feelings then. When I was 10 years old, an older boy–the son of my mother’s friend, seduced me while we were playing in our backyard one early evening. This boy, R, would teach me the first things I learned about sex. As a good (I thought) Catholic school boy my guilt was surprisingly minuscule. I’m not sure now what I was thinking then. How I coped with that secret. But then again, when you’re an only child, you quickly learn to keep things to yourself. In college, separated from the company of that older boy, I completely abstained from male-to-male sex. I got so busy with my own life as a college student–the new kinds of freedom I’d been given, new friends, new pursuits (like my crushes on girls), that I didn’t pay attention to that part of my life. I didn’t have sex with another guy until 1993, months after graduating from university. Before that year ended, I was in my first relationship with a guy. This lasted about 6 months. Three months after V and I broke up I met my second boyfriend. This second relationship was more intense but lasted barely 4 months. A week after T and I broke up, I met my third. N was my boyfriend when I came out to my mother.

At work, I never had to come out because I had the good fortune of working for an NGO that was staffed by mostly gay men. We liked to joke that ReachOut was really a gay men’s organization disguised as an NGO. In fact, before ReachOut, I didn’t have any gay friends. Most of the friends I made at ReachOut remain my friends to this day. I volunteered at ReachOut as a telephone counselor in the AIDS HelpLine while awaiting the results of my board exams. When I got my professional license, they hired me as staff. My sexuality was never an issue there. Same with my second job in 1996, as a reporter for Balitang K. I mean, our head writer was gay, most of the production assistants were gay, including 2 other reporters so it was also a non-issue. Inside Korina Sanchez’s tough exterior, I think, lies a giggling fag hag. And because I was the new guy that time, I just worked on stories that were mostly assigned to me. Of course, they considered my health background (a nurse who worked in the AIDS field) and my (perceived) sexuality.

My relationship and my work contributed to my coming out.

N, my boyfriend, was a medical representative who was based in Nueva Ecija, a province north of Manila. We would spend Saturdays together, usually in a mall, watching movies, going to museums and shows and around midnight I would sneak him in our house where we’d have sex in my room and then between 3-4AM, he’d sneak out and make the 3-hour drive back to Nueva Ecija. During weekdays we would burn the telephone lines by alternately calling each other everyday. This was 1996. Mobile phones were a luxury and our landline phone didn’t have NDD. So whenever I called N, I had to go through the operator and this was reflected in our monthly phone bill. I paid for my long-distance calls, which at that time amounted to about USD25.00 a month. This was one of my clues. She wanted to know who I was calling in Cabanatuan and I told her I was calling a friend. When she demanded to know which among my friends (because I didn’t have many friends, my mother knew all few of them) was it, I just told her a friend I met at work.

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Unwell

Coping Mechanism
“In the organic world, adaptation is atavistic;
a matter for the instinct, not the intellect.”
–from a lecture on the philosophy of aesthetics

Someday I will feel better
And look back on all of these
With a smile and a shrug;
That day, when memories rush
Into my head, I won’t flee
But relish its arrival: hectic,
Lush, organic, like life itself.
And I won’t cringe, won’t fear
That I’ll be overcome with grief
Like I am now, when everything
I see and touch, all I taste and
Smell and hear reminds me of
Nothing and no one but him.

I write words that I hope will
Exorcise the demons straddling
My back but my tired words
Rarely transcend paper and often
I feel them looking scornfully at me
For not making them real;
I turn to friends but the more
I am with them the more I feel
Abandoned and alone; Fast love
Only brings temporary relief,
By clouding my judgment before
Leaving me more hollow than
I was after I lost him.

Someday I will feel better
And look back on all of these
With a smile and a shrug.
Maybe, if I keep telling myself
This, it will indeed happen,
And become, at last, real.

2005, Phnom Penh
after an encounter with Derek Walcott’s “Love After Love”

Could’ve been

I started writing this post days ago, intending it to be a post-mortem commentary and what-have-you on two disparate events that gripped the Philippines last week. But then I saw THIS and THIS and it got me wondering whether I should still pursue my earlier intention. Even my fellow bloggers have placed their two-cents worth on the matter HERE and HERE. Okay, much have been written about these events.

What happened on Monday cast an unflattering light on my home country and the government is currently scrambling to save face and/or avoiding a diplomatic and political disaster. Unfortunately, blame-shifting is one of the strategies that it is employing. Bad choice. I learned early on that making excuses is never effective in gaffs and rows. On Tuesday morning the spotlight was on a tall, dusky Filipina in the Miss Universe pageant in Las Vegas. Unfortunately in the final round, Miss Philippines came up with a non-answer that was a shade more vague than the almost-answer of Miss Australia. Many (including yours truly) believe that this cost her the crown. Based on her performance in the 2 previous rounds, she was poised to be the 2nd runner-up at least. An excellent answer would have increased her chance of winning the top prize but as it happened, she did the opposite.

zb-msuniverse2010

I couldn’t help but link these two seemingly disparate events. Those who know me understand my tendency to look for patterns in everything. Besides, these events share a common thread and that is, as Jessica Zafra succinctly put it: katangahan (ineptitude).

The botched negotiation/ rescue attempt by the SWAT team handling the hostage taking acted as if they were untrained. I mean, if that’s how SWAT men are, what about our rank and file police officers then? But equally more alarming is that this ineptitude seems not only to trickle downstream but also to extend the higher levels of government. If the rescue attempt was botched, the handling of its fall-out was also bungled by the government. Making excuses instead of clear explanations, non-observance of diplomatic protocol, and so on. I think P-Noy should re-examine his choices of technocrats and advisers to surround him. Because nobody seems to know what they are doing.

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Joining you

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On September, I will be one with my fellow gay bloggers in posting.

If you’re gay and if you blog, you might want to join.

Details can be found HERE.

The morning after

Nothing historically significant happened on my birthday.

On the day I was born, the number 1 song in the Billboard American Pop Chart was ‘The Morning After’ by Maureen Mc Govern, the theme song from the movie ‘The Poseidon Adventure’, a disaster movie which starred a slew of big Hollywood stars such as Gene Hackman and Shelley Winters. This song would eventually receive an Academy Award for best original song the next year. Ms Winters also received an Academy Award as best supporting actress. After 2 weeks, Diana Ross’s ‘Touch Me In The Morning’ wrestled the number 1 position from Ms McGovern.

album cover

album cover

A milestone marked the 1973 Academy Awards, which was held months before my birthday. Tatum O’Neal became the youngest actor ever to win an Oscar, at 10 years old, as best supporting actress for the movie ‘Paper Moon’. This record has yet to be broken. The closest was when Ana Paquin received the same award in 1996 for ‘The Piano’, at age 11. After more than 20 years, Jack Lemmon received his second Oscar as best actor for ‘Save the Tiger’. He won over much-favoured nominees Paul Newman and Robert Redford. In the FAMAS awards in my country, ‘Nueva Viscaya” was awarded best picture. Jun Raquiza was best director. Ramon Revilla and Gloria Sevilla were best actor and best actress, respectively. Eddie Garcia and Suzette Ranillo bagged the supporting acting awards.

tatum with her oscar

tatum with her oscar

On the week I was born, the number 1 Hollywood movie was ‘American Graffiti’. This was the first full-length movie of George Lucas, who would release the now-classic ‘Star Wars’ five years later. Semi-autobiographical in its story, this movie would become one of the classic coming-of-age movies. Films about young people that happened in one day would continue to come years later, such as ‘Ferris Bueller’s Day-Off’, ‘Go’, and ‘Jologs’.

poster of 'american graffiti'

poster of 'american graffiti'

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More than words can say

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